Tuesday, April 24, 2012

Weapon of Mass Destruction

I still remember the day I met Sarah. I recall the very moment my eyes first captured a glimpse of her. Having no way of knowing how much she would come to mean to me or how she would change my life, it wasn’t long before I affectionately referred to her as “The Mrs.” or “the Old Ball and Chain.” Every day I woke up with a smile, eager to show her off to my friends who’d undoubtedly never seen her rival. Amongst their flurry of questions, though never the first, always one would emerge. They wanted to know why I named my gun Sarah. I’d always smile in reply and answer, “Because nobody doesn’t like Sarah Lee.”

The truth however is not so simple. As with any lady of immense reputation, Sarah has become an object of desire and jealousy, excitement and fear, love and loathing. She’s not your average firearm; she’s big. To be more precise, she’s chambered in the fifty BMG (Browning Machine Gun) caliber and as a Barrett 82A1, she defines combat-proven sniping capability. She is legendary.


            Just a number of months ago, I walked into a friend’s house and was immediately asked, “How was the range?”

            I replied, “It was awesome! I started a fire!” Naturally, I regarded the statements to be as separate as they were true. I’d only shot three tracer rounds that day, but I guess it was enough. The unexplained and fascinating part was the fire’s location. It was significantly to the right of my target and behind the berm I was shooting into, unable to be seen when it started. Luckily it could be seen from a road in the distance. A couple individuals charged up the firing range in a truck to combat the flames and scold the fool who made them.

            Not two years earlier, Sarah’s first real target, her first victim was a tree in Washington’s Tahuya State Forest. Before I fired that first bullet, I wasn’t certain if I would be able to see where it impacted. I was throwing out armor-piercing incendiary, tracers because they were the cheapest things I could find. I’d only recently placed a scope on the rifle and I couldn’t even know where the bullet was destined to land. The tree stood only a hundred yards away and at sixteen inches in diameter, it couldn’t have known what was to come next. Not only did every impact appear perfectly visible, many hits resulted in chunks of wood flying out the other side. The tree didn’t stand a chance. As I heard it start to crack and buckle under its own weight, I lost my composure and forgot my military reserve. I shouted excitedly and threw my hands up, watching more than forty feet of tree come crashing down. I approached the tree afterward for the first time and stood atop it, victoriously.

Only weeks before my lumberjacking career, I fired Sarah for the first time. She didn’t even have a scope, but I couldn’t wait. I’d anticipated the moment for longer than I could remember, seeing images of her brothers and sisters in old war movies from my childhood. I carefully assembled the gun. I filled the magazine with each of the five dollar rounds I owned. Flipping up the iron sights, I looked down the barrel intently for the first time at a target. My hands trembled slightly, but I tried to hide it from my two friends who were equally eager. Slowly I exhaled and pulled the trigger…

The safety was still on. I flicked it up and took aim again. I focused on my breathing and tried to keep recoil out of my mind. Just as I’d always been taught I slowly squeezed the trigger.

Click. I forgot to chamber a round. I reached up and pulled back on the charging handle and then I pushed it forward again. Embarrassed, I only glanced at my friends, less able to cover my second mistake. Once more I lined up the shot, steadied my nerves, and tensed my finger. I fought my instinct to close my eyes and concentrated on the target.

Click. “Oh, come on!” Evidently the charging handle hadn’t gone all the way forward. The daylight was dying. I couldn’t forgive myself three times. I found the problem, fixed it, sat down, stopped caring about the target, pointed down range, checked the safety, shouldered the gun, and hurriedly pulled the trigger.


Boom! Then and there I realized a lifelong dream. I felt the wave of power that could never hope to be mimicked. In that instant, I’d become a very dangerous man. Although I took a slightly greater degree of caution in my aiming, I quickly discovered I sucked with iron sights. After a few more awesome pulls of the trigger, it occurred to me how dangerous I was. I’d heard ricochets before, but not like that. The sound itself was as loud as it seemed comical, like a sound effect in the old cartoons I watched. Nonetheless, I didn’t find it funny. My heart and breath stopped. I stared out into the darkening field, but I wasn’t looking at anything I was listening and hoping to God the next sound wouldn’t be a scream.

            After a few seconds of complete silence, I managed to let my breath go. My heart started in turn. I took a moment to look around, not moving nearly as fast as I had before. Sarah had given her one and only warning. As always she spoke in tones louder than words. It almost always surprised people that to buy and own such a powerful gun there weren’t any special restrictions. I was twenty-one, three years older than the minimum age required by law. For the first time I stopped to wonder if maybe I was still too young, too inexperienced.

            What I held in my hands wasn’t just a gun, it was a weapon. It was conceptualized, designed, and purpose built to end human lives. This cold, lifeless, mechanical monster only existed to seek blood. In a society that makes heroes of soldiers, had my childhood dreams been stained with the crimson of the battlefield? Why did I, or anyone else, need such an instrument of war? I quickly learned that anyone in possession of a gal like Sarah also carried a thin cloud of suspicion above his head.

Webster’s dictionary defines bulletproof as an adjective meaning impenetrable to bullets, but when John Browning scaled up the 30-06 into the fifty caliber, he unknowingly redefined the word. The most fearsome aspect of placing such capability in civilian hands has always been the dark cloud of thought that those were the wrong hands. So-called armored cars might be reinforced against any and all foreseen potential attacks. Yet underneath the military grade might of the BMG, only a few ground vehicles in the world wouldn’t immediately fall victim. Of course a gun is only as good as its ammunition. Much of the devastation the fifty caliber is attributed with is due to the rounds it uses.

When I first began searching on the web for fifty caliber ammo, I was very surprised to discover that not only were armor-piercing incendiary (API) bullets available, they were relatively cheap. With the same ease as ordering a pizza, a variety of deadly capabilities availed itself to me. Yet even though I could buy boxes stamped with the words “military surplus,” the most dangerous rounds are still illegal for civilian ownership. Though the tantalizing prospect of purchasing explosive rounds remains out of reach, there’s plenty Sarah and I can accomplish with what is readily available.



The capabilities of the BMG stagger even the most experienced of shooters. Barrett Firearms Manufacturing once said of Sarah’s model, ''The compressor section of jet engines or the transmissions of helicopters are likely targets for the weapon, making it capable of destroying multimillion dollar aircraft with a single hit delivered to a vital area.'' (Wald) The tagline probably provoked more fear than it did sales and rallied gun control groups to action.

In their campaign to ban fifty caliber rifles the Violence Policy Center released a statement saying, “This is not just a gun control issue. It's a national security issue.” (Kintisch) Because obtaining the gun requires as much paperwork and the same background check as buying a twenty-two at Wal-Mart, the thought of terrorism follows the gun everywhere it goes. It’s an inherently terrifying weapon platform, making no place safe to hide and nowhere far enough to run to. Yet I still sleep easily enough.

For several reasons, it’s not a preferred weapon of terrorists or criminals. Analysts argue if it’s because of gun’s cost, ranging from two to ten thousand dollars; the gun’s unwieldiness, weighing in the area of thirty five pounds; or the impossibility of hoping to conceal it. For whatever reason, no analyst can present a record of a crime that was conducted using the BMG. The fact doesn’t slow the spread of fear though. Several jurisdictions within the United States have banned the weapon, most notably California. Perhaps the preemptive measure was taken in the knowledge that terrorists aren’t dedicated enough to drive across state lines to reach their targets.

Certainly planes are vulnerable to fifty caliber bullets… while their parked. What better to reach out and touch something over a mile away than with the ultimate rifle? The mechanics required to shoot a plane out of the air however, make it a statistical impossibility. When asked if it could be done, Ronnie Barrett, a designer and manufacturer, called the notion, “big time ridiculous” before going on to explain how a shooter would have to aim above the plane to account for gravity as the bullet traveled and then the plane wouldn’t even be visible in the scope. (Wald) The possibility of that one extremely lucky or unlucky shot doesn’t worry the Transport Security Administration, who has considered multiple potential threats and ranks the fifty caliber low on the list.


So if we’re not terrorists, what manner of person is drawn to the fifty caliber BMG? Given the considerable investment of a couple thousand dollars or more, one answer might be the financial elite. I am testament to the falsehood of that answer. The simplest response might say enthusiasts and to that I’m inclined to agree. A true firearm enthusiast loves all guns, not equally, but in the same way. He doesn’t view a gun as a piece of machinery, rather a piece of art. Each is crafted to a specific shape to achieve a balance of comfort and function, paired with a specific cartridge to determine power and recoil, and sighted for appropriate range and accuracy. Just the smell of Hoppes Number Nine gun oil solvent will force an enthusiast’s mouth to salivate. Still, many don’t buy into the simple philosophy that bigger is better. It takes something more to open a wallet that far.

Within every fifty caliber owner is a marksman, a nature striving always toward the ideal of perfection. Marksmen are meticulous in their preparation in addition to being infinity patient in their execution. The huge caliber becomes desirable to eyes which want to achieve the otherwise unachievable. Though I haven’t always been able to be described as such, over time, Sarah has had an impact on me (and not just my shoulder.) I’ve heard it said that the clothes make the man, but I would contest it with the notion that the gun builds his character.

In much the same way Harley owners immediately recognize each other, fifty caliber owners belong to an unspoken brotherhood. I’ve been fortuned enough to have met two others who share my passion including Dr. Gary Zimmermann. I called us ‘a very dangerous few,’ but the good doctor added, “Many of us aren’t as dangerous as the average shooter because we tend to use more caution when firing. We know how bad it could be if we make a mistake… Besides we’re usually pretty nice guys.” (Zimmermann)

Every time I head out to the range and assemble Sarah I turn around to see who else is gawking at her beauty. I’m more social there than anywhere else, approaching strangers and answering their questions about her. Sarah, in particular, loves to make people’s day. To everyone I meet who’s never shot a fifty caliber before, I usually offer a free round of ammo. Whenever they ask for it, I let them keep the brass from the round they shot to commemorate the event. I honesty tell them I think everyone should fire it at least once in their lives. The entire feeling is indescribably awesome.

Rounds of ammunition aren’t merely fired off; they’re detonated. A visible concussion wave radiates from the rifle’s muzzle and, in my experience, forces a smile onto all of the faces within the blast radius. A deafening boom loudly proclaims that greatness has just been established. Wisps of gunpowder linger in the breeze, filling the nostrils with a tale of victory. The reason recreational shooters flock to the BMG isn’t just for the extended range or elevated wind resistance, they can’t get enough of the rush they feel when they unleash projectiles over three thousand feet per second to do an unreasonable amount of damage to a target.

Yes, it is excessive… wonderfully so. To me, Sarah is the embodiment of the American Dream, the culmination of my hard work, and my worthy reward. Americans too are called equally loud, demanding, obnoxious, over-sized, and dwelling in excess, but there’s nowhere else I’d rather live and there’s no gun I’d rather own. A lot of things have been said about the fifty caliber giving it an atmosphere of danger or awesomeness. I would encourage everyone who doesn’t know it, to forget their preconceptions and just try it. If you ever see Sarah and me at the range or in the woods, she’ll be happy to set the record straight.


“Though poets’ song and artists’ brush may strive to tell of bliss, one need only pull the trigger to know how close he is.       -Nate Lee



Works Cited
Kintisch, Eli. "Easy Shot." New Republic 228.2 (2003): 18-20. Academic Search Complete. Web. 16 Apr. 2012.
Wald, Matthew L. "Threats and Responses: Airline Safety; Citing Danger to Planes, Group Seeks Ban on a Sniper Rifle." New York Times 31 Jan. 2003: 13. Academic Search Complete. Web. 16 Apr. 2012.
Zimmermann, Gary. Interview. 11 Apr. 2011

Thursday, April 19, 2012

The Good Part


Just a number of months ago, I walked into a friend’s house and was immediately asked, “How was the range?”

            I replied, “It was awesome! I started a fire!” Of course I regarded the statements to be as separate as they were true. I’d only shot three tracer rounds that day, but I guess it was enough. The unexplained and fascinating part was the fire’s location. It was significantly to the right of my target and behind the berm I was shooting into, unable to be seen when it started. Luckily it could be seen from a road in the distance. A couple individuals charged up the firing range in a truck to combat the flames and scold the fool who made them.

            Not two years earlier, Sarah’s first real target, her first victim was a tree in Washington’s Tahuya State Forest. Before I fired that first bullet, I wasn’t certain if I would be able to see where it impacted. I was throwing out armor-piercing incendiary, tracers because they were the cheapest things I could find. I’d only recently placed a scope on the rifle and I couldn’t even know where the bullet was destined to land. The tree stood only a hundred yards away and at sixteen inches in diameter, it couldn’t have known what was to come next. Not only did every impact appear perfectly visible, many hits resulted in chunks of wood flying out the other side. The tree didn’t stand a chance. As I heard it start to crack and buckle under its own weight, I lost my composure and forgot my military reserve. I shouted excitedly and threw my hands up, watching more than forty feet of tree come crashing down. I approached the tree afterward for the first time and stood atop it, victoriously.

Only weeks before my lumberjacking career, I fired Sarah for the first time. She didn’t even have a scope, but I couldn’t wait. I’d anticipated the moment for longer than I could remember, seeing images of her brothers and sisters in old war movies from my childhood. I carefully assembled the gun. I filled the magazine with each of the five dollar rounds I owned. Flipping up the iron sights, I looked down the barrel intently for the first time at a target. My hands trembled slightly, but I tried to hide it from my two friends who were equally eager. Slowly I exhaled and pulled the trigger…

The safety was still on. I flicked it up and took aim again. I focused on my breathing and tried to keep recoil out of my mind. Just as I’d always been taught I slowly squeezed the trigger.

Click. I forgot to chamber a round. I reached up and pulled back on the charging handle and then I pushed it forward again. Embarrassed, I only glanced at my friends, less able to cover my second mistake. Once more I lined up the shot, steadied my nerves, and tensed my finger. I fought my instinct to close my eyes and concentrated on the target.

Click. “Oh, come on!” Evidently the charging handle hadn’t gone all the way forward. The daylight was dying. I couldn’t forgive myself three times. I found the problem, fixed it, sat down, stopped caring about the target, pointed down range, checked the safety, shouldered the gun, and hurriedly pulled the trigger.

Boom! Then and there I realized a lifelong dream. I felt the wave of power that could never hope to be mimicked. In that instant, I’d become a very dangerous man. Although I took a slightly greater degree of caution in my aiming, I quickly discovered I sucked with iron sights. After a few more awesome pulls of the trigger, it occurred to me how dangerous I was. I’d heard ricochets before, but not like that. The sound itself was as loud as it seemed comical, like a sound effect in the old cartoons I watched. Nonetheless, I didn’t find it funny. My heart and breath stopped. I stared out into the darkening field, but I wasn’t looking at anything I was listening and hoping to God the next sound wouldn’t be a scream.

            After a few seconds of complete silence, I managed to let my breath go. My heart started in turn. I took a moment to look around, not moving nearly as fast as I had before. Sarah had given her one and only warning. As always she spoke in tones louder than words. It almost always surprised people that to buy and own such a powerful gun there weren’t any special restrictions. I was twenty-one, three years older than the minimum age required by law. For the first time I stopped to wonder if maybe I was still too young, too inexperienced.

Weapon of Mass Destruction


I still remember the day I met Sarah. I recall the very moment my eyes first captured a glimpse of her. Having no way of knowing how much she would come to mean to me or how she would change my life, it wasn’t long before I affectionately referred to her as “The Mrs.” or “the Old Ball and Chain.” Every day I woke up with a smile, eager to show her off to my friends who’d undoubtedly never seen her rival. Amongst their flurry of questions, though never the first, always one would emerge. They wanted to know why I named my gun Sarah. I’d always smile in reply and answer, “Because nobody doesn’t like Sarah Lee.”

The truth however is not so simple. As with any lady of immense reputation, Sarah has become an object of desire and jealousy, excitement and fear, love and loathing. She’s not your average firearm; she’s big. To be more precise, she’s chambered in the fifty BMG (Browning Machine Gun) caliber and as a Barrett 82A1, she defines combat-proven sniping capability. She is legendary.

            Just a number of months ago, I walked into a friend’s house and was immediately asked, “How was the range?”

            I replied, “It was awesome! I started a fire!” Of course I regarded the statements to be as separate as they were true. I’d only shot three tracer rounds that day, but I guess it was enough. The unexplained and fascinating part was the fire’s location. It was significantly to the right of my target and behind the berm I was shooting into, unable to be seen when it started. Luckily it could be seen from a road in the distance. A couple individuals charged up the firing range in a truck to combat the flames and scold the fool who made them.

            Not two years earlier, Sarah’s first real target, her first victim was a tree in Washington’s Tahuya State Forest. Before I fired that first bullet, I wasn’t certain if I would be able to see where it impacted. I was throwing out armor-piercing incendiary, tracers because they were the cheapest things I could find. I’d only recently placed a scope on the rifle and I couldn’t even know where the bullet was destined to land. The tree stood only a hundred yards away and at sixteen inches in diameter, it couldn’t have known what was to come next. Not only did every impact appear perfectly visible, many hits resulted in chunks of wood flying out the other side. The tree didn’t stand a chance. As I heard it start to crack and buckle under its own weight, I lost my composure and forgot my military reserve. I shouted excitedly and threw my hands up, watching more than forty feet of tree come crashing down. I approached the tree afterward for the first time and stood atop it, victoriously.

Only weeks before my lumberjacking career, I fired Sarah for the first time. She didn’t even have a scope, but I couldn’t wait. I’d anticipated the moment for longer than I could remember, seeing images of her brothers and sisters in old war movies from my childhood. I carefully assembled the gun. I filled the magazine with each of the five dollar rounds I owned. Flipping up the iron sights, I looked down the barrel intently for the first time at a target. My hands trembled slightly, but I tried to hide it from my two friends who were equally eager. Slowly I exhaled and pulled the trigger…

The safety was still on. I flicked it up and took aim again. I focused on my breathing and tried to keep recoil out of my mind. Just as I’d always been taught I slowly squeezed the trigger.

Click. I forgot to chamber a round. I reached up and pulled back on the charging handle and then I pushed it forward again. Embarrassed, I only glanced at my friends, less able to cover my second mistake. Once more I lined up the shot, steadied my nerves, and tensed my finger. I fought my instinct to close my eyes and concentrated on the target.

Click. “Oh, come on!” Evidently the charging handle hadn’t gone all the way forward. The daylight was dying. I couldn’t forgive myself three times. I found the problem, fixed it, sat down, stopped caring about the target, pointed down range, checked the safety, shouldered the gun, and hurriedly pulled the trigger.

Boom! Then and there I realized a lifelong dream. I felt the wave of power that could never hope to be mimicked. In that instant, I’d become a very dangerous man. Although I took a slightly greater degree of caution in my aiming, I quickly discovered I sucked with iron sights. After a few more awesome pulls of the trigger, it occurred to me how dangerous I was. I’d heard ricochets before, but not like that. The sound itself was as loud as it seemed comical, like a sound effect in the old cartoons I watched. Nonetheless, I didn’t find it funny. My heart and breath stopped. I stared out into the darkening field, but I wasn’t looking at anything I was listening and hoping to God the next sound wouldn’t be a scream.

            After a few seconds of complete silence, I managed to let my breath go. My heart started in turn. I took a moment to look around, not moving nearly as fast as I had before. Sarah had given her one and only warning. As always she spoke in tones louder than words. It almost always surprised people that to buy and own such a powerful gun there weren’t any special restrictions. I was twenty-one, three years older than the minimum age required by law. For the first time I stopped to wonder if maybe I was still too young, too inexperienced.

            What I held in my hands wasn’t just a gun, it was a weapon. It was conceptualized, designed, and purpose built to end human lives. This cold, lifeless, mechanical monster only existed to seek blood. In a society that makes heroes of soldiers, had my childhood dreams been stained with the crimson of the battlefield? Why did I, or anyone else, need such an instrument of war? I quickly learned that anyone in possession of a gal like Sarah also carried a thin cloud of suspicion above his head.

The capabilities of the BMG stagger even the most experienced of shooters. Barrett Firearms Manufacturing once said of Sarah’s model, ''The compressor section of jet engines or the transmissions of helicopters are likely targets for the weapon, making it capable of destroying multimillion dollar aircraft with a single hit delivered to a vital area.'' (1) The tagline probably provoked more fear than it did sales and rallied gun control groups to action.

In their campaign to ban fifty caliber rifles the Violence Policy Center released a statement saying, “This is not just a gun control issue. It's a national security issue.” (2) Because obtaining the gun requires as much paperwork and the same background check as buying a twenty-two at Wal-Mart, the thought of terrorism follows the gun everywhere it goes. It’s an inherently terrifying weapon platform, making no place safe to hide and nowhere far enough to run to. Yet I still sleep easily enough.

For several reasons, it’s not a preferred weapon of terrorists or criminals. Analysts argue if it’s because of gun’s cost, ranging from two to ten thousand dollars; the gun’s unwieldiness, weighing in the area of thirty five pounds; or the impossibility of hoping to conceal it. For whatever reason, no analyst can present a record of a crime that was conducted using the BMG. The fact doesn’t slow the spread of fear though. Several jurisdictions within the United States have banned the weapon, most notably California. Perhaps the preemptive measure was taken in the knowledge that terrorists aren’t dedicated enough to drive across state lines to reach their targets.

Certainly planes are vulnerable to fifty caliber bullets… while their parked. What better to reach out and touch something over a mile away than with the ultimate rifle? The mechanics required to shoot a plane out of the air however, make it a statistical impossibility. When asked if it could be done, Ronnie Barrett, a designer and manufacturer, called the notion, “big time ridiculous” before going on to explain how a shooter would have to aim above the plane to account for gravity as the bullet traveled and then the plane wouldn’t even be visible in the scope. (1) The possibility of that one extremely lucky or unlucky shot doesn’t worry the Transport Security Administration, who has considered multiple potential threats and ranks the fifty caliber low on the list.


Tuesday, April 10, 2012

Weapon of Mass Destruction


I still remember the day I met Sarah. I recall the very moment my eyes first captured a glimpse of her. Having no way of knowing how much she would come to mean to me or how she would change my life, it wasn’t long before I affectionately referred to her as “The Mrs.” or “the Old Ball and Chain.” Every day I woke up with a smile, eager to show her off to my friends who’d undoubtedly never seen her rival. Amongst their flurry of questions, though never the first, always one would emerge. They wanted to know why I named my gun Sarah. I’d always smile in reply and answer, “Because nobody doesn’t like Sarah Lee.”

The truth however is not so simple. As with any lady of immense reputation, Sarah has become an object of desire and jealousy, excitement and fear, love and loathing. She’s not your average firearm. She’s no ordinary weapon. She’s big. To be more precise, she’s chambered in the fifty BMG (Browning Machine Gun) caliber and as a Barrett 82A1, to many she defines combat-proven sniping capability. Legendary fails as a word to describe both the amazing capacity of the BMG and the myths that have formed around it.

Uniqueness surrounds the BMG more so than the flocks of admirers at the firing range. Sarah’s beauty is enticing, but she is so much more. Recreational shooters love the BMG not just for the extended range and wind resistance. There’s something indescribably awesome about it. Rounds of ammunition aren’t merely fired off; they’re detonated. A visible concussion wave radiates from the rifle’s muzzle and, in my experience, forces a smile onto all of the faces within the blast radius. Though poets’ song and artists’ brush may strive to tell of bliss, one need only pull the trigger to know how close he is.

The BMG reigns as the king of cartridges. In the decades following its development, several “ballistically superior” rounds have been created and used. A bullet is said to be better for having a greater ability to preserve its own kinetic energy over long distances. The four sixteen is faster. The four o eight possesses less recoil and a flatter trajectory. Snipers’ appreciations for these rounds threaten to dethrone the king, but neither will ever have the sheer stopping power provided by the BMG. It was developed primarily as an anti-material weapon, purpose built for puncturing tanks, stopping trucks, and destroying targets on the opposite side of barricades. No other bullet has been mass-manufactured with an equally large variety of tactical options including: armor-piercing, incendiary, tracer, and even explosive rounds. Long live the king.

The fifty caliber’s power gave rise to the notion that a near miss could still kill its target. Some claim the resulting shockwave from the bullet can tear an ear off. Other people even imagined it taking an arm. The myth is entirely ridiculous, but the fact that people haven’t only believed it, but spread it, proves how much respect it has. The only reasonable origin for the lore comes from Vietnam. Given the scarcity of BMG ammo for the machine guns, commanders told their soldiers not to engage soft targets with the fifty calibers. People assume a lot of things and dying from a gut-wrenching shockwave is an inhumane manner to conduct war. Despite all of the unjustified hype surrounding the giant cartridge, from time to time I’ve taken to saying it’s a hard cartridge to underestimate.

            Just a number of months ago, I walked into a friend’s house and was immediately asked, “How was the range?”

            I replied, “It was awesome! I started a fire!” Of course I regarded the statements to be as separate as they were true. I’d only shot three tracer rounds that day, but I guess it was enough. The unexplained and fascinating part was the fire’s location. It was significantly to the right of my target and behind the berm I was shooting into, unable to be seen when it started. Luckily it could be seen from a road in the distance. A couple individuals charged up the firing range in a truck to combat the flames and scold the fool who made them.

            Not two years earlier, Sarah’s first real target, her first victim was a tree in Washington’s Tahuya State Forest. Before I fired that first bullet, I wasn’t certain if I would be able to see where it impacted. I was throwing out armor-piercing incendiary, tracers because they were the cheapest things I could find. I’d only recently placed a scope on the rifle and I couldn’t even know where the bullet was destined to land. The tree stood only a hundred yards away and at sixteen inches in diameter, it couldn’t have known what was to come next. Not only did every impact appear perfectly visible, many hits resulted in chunks of wood flying out the other side. The tree didn’t stand a chance. As I heard it start to crack and buckle under its own weight, I lost my composure and forgot my military reserve. I shouted excitedly and threw my hands up, watching more than forty feet of tree come crashing down. I approached the tree afterward for the first time and stood atop it, victoriously.

Only weeks before my lumberjacking career, I fired Sarah for the first time. She didn’t even have a scope, but I couldn’t wait. I’d anticipated the moment for longer than I could remember, seeing images of her brothers and sisters in old war movies from my childhood. I carefully assembled the gun. I filled the magazine with each of the five dollar rounds I owned. Flipping up the iron sights, I looked down the barrel intently for the first time at a target. My hands trembled slightly, but I tried to hide it from my two friends who were equally eager. Slowly I exhaled and pulled the trigger…

The safety was still on. I flicked it up and took aim again. I focused on my breathing and tried to keep recoil out of my mind. Just as I’d always been taught I slowly squeezed the trigger.

Click. I forgot to chamber a round. I reached up and pulled back on the charging handle and then I pushed it forward again. Embarrassed, I only glanced at my friends, less able to cover my second mistake. Once more I lined up the shot, steadied my nerves, and tensed my finger. I fought my instinct to close my eyes and concentrated on the target.

Click. “Oh, come on!” Evidently the charging handle hadn’t gone all the way forward. The daylight was dying. I couldn’t forgive myself three times. I found the problem, fixed it, sat down, stopped caring about the target, pointed down range, checked the safety, shouldered the gun, and hurriedly pulled the trigger.

Boom! Then and there I realized a lifelong dream. I felt the wave of power that could never hope to be mimicked. In that instant, I’d become a very dangerous man. Although I took a slightly greater degree of caution in my aiming, I quickly discovered I sucked with iron sights. After a few more awesome pulls of the trigger, it occurred to me how dangerous I was. I’d heard ricochets before, but not like that. The sound itself was as loud as it seemed comical, like a sound effect in the old cartoons I watched. Nonetheless, I didn’t find it funny. My heart and breath stopped. I stared out into the darkening field, but I wasn’t looking at anything I was listening and hoping to God the next sound wouldn’t be a scream.

            After a few seconds of complete silence, I managed to let my breath go. My heart started in turn. I took a moment to look around, not moving nearly as fast as I had before. Sarah had given her one and only warning. As always she spoke in tones louder than words. It almost always surprised people that to buy and own such a powerful gun there weren’t any special restrictions. I was twenty-one, three years older than the minimum age required by law. For the first time I stopped to wonder if maybe I was still too young, too inexperienced.

           

Tuesday, April 3, 2012

Weapon of Mass Desturction / Big Bang


I still remember the day I met Sarah. I recall the very moment my eyes first captured a glimpse of her. Having no way of knowing how much she would come to mean to me or how she would change my life, it wasn’t long before I affectionately referred to her as “The Mrs.” or “the Old Ball and Chain.” Every day I woke up with a smile, eager to show her off to my friends who’d undoubtedly never seen her rival. Amongst their flurry of questions, though never the first, always one would emerge. They wanted to know why I named my gun Sarah. I’d always smile in reply and answer, “Because nobody doesn’t like Sarah Lee.”

The truth however is not so simple. As with any lady of immense reputation, Sarah has become an object of desire and jealousy, excitement and fear, love and loathing. She’s not your average firearm. She’s no ordinary weapon. She’s big. To be more precise, she’s chambered in the fifty BMG (Browning Machine Gun) caliber and as a Barrett 82A1, to many she defines combat-proven sniping capability. Legendary fails as a word to describe both the amazing capacity of the BMG and the myths that have formed around it.

Uniqueness surrounds the BMG more so than the flocks of admirers at the firing range. Sarah’s beauty is enticing, but she is so much more. Recreational shooters love the BMG not just for the extended range and wind resistance. There’s something indescribably awesome about it. Rounds of ammunition aren’t merely fired off; they’re detonated. A visible concussion wave radiates from the rifle’s muzzle and, in my experience, forces a smile onto all of the faces within the blast radius. Though poets’ song and artists’ brush may strive to tell of bliss, one need only pull the trigger to know how close he is.

The BMG reigns as the king of cartridges. In the decades following its development, several “ballistically superior” rounds have been created and used. A bullet is said to be better for having a greater ability to preserve its own kinetic energy over long distances. The four sixteen is faster. The four o eight possesses less recoil and a flatter trajectory. Snipers’ appreciations for these rounds threaten to dethrone the king, but neither will ever have the sheer stopping power provided by the BMG. It was developed primarily as an anti-material weapon, purpose built for puncturing tanks, stopping trucks, and destroying targets on the opposite side of barricades. No other bullet has been mass-manufactured with an equally large variety of tactical options including: armor-piercing, incendiary, tracer, and even explosive rounds. Long live the king.

The fifty caliber’s power gave rise to the notion that a near miss could still kill its target. Some claim the resulting shockwave from the bullet can tear an ear off. Other people even imagined it taking an arm. The myth is entirely ridiculous, but the fact that people haven’t only believed it, but spread it, proves how much respect it has. The only reasonable origin for the lore comes from Vietnam. Given the scarcity of BMG ammo for the machine guns, commanders told their soldiers not to engage soft targets with the fifty calibers. People assume a lot of things and dying from a gut-wrenching shockwave is an inhumane manner to conduct war. Despite all of the unjustified hype surrounding the giant cartridge, from time to time I’ve taken to saying it’s a hard cartridge to underestimate.

            Just a number of months ago, I walked into a friend’s house and was immediately asked, “How was the range?”

            I replied, “It was awesome! I started a fire!” I regarded the statements to be as separate as they were true. I’d only shot three tracer rounds that day, but I guess it was enough. The unexplained and fascinating part was the fire’s location. It was significantly to the right of my target and behind the berm I was shooting into, unable to be seen when it started. Luckily it could be seen from a road in the distance. A couple individuals charged up the firing range in a truck to combat the flames and scold the fool who made them.

            Not two years earlier, Sarah’s first real target, her first victim was a tree in Washington’s Tahuya State Forest. Before I fired that first bullet, I wasn’t certain if I would be able to see where it impacted. I was throwing out armor-piercing incendiary, tracers because they were the cheapest things I could find. I’d only recently placed a scope on the rifle and I couldn’t even know where the bullet was destined to land. The tree stood only a hundred yards away and at sixteen inches in diameter, it couldn’t have known what was to come next. Not only did every impact appear perfectly visible, many hits resulted in chunks of wood flying out the other side. The tree didn’t stand a chance. As I heard it start to crack and buckle under its own weight, I lost my composure and forgot my military reserve. I shouted excitedly and threw my hands up, watching more than fifty feet of tree come crashing down. I approached the tree afterward for the first time and stood atop it, victoriously.

Only weeks before my lumberjacking career, I fired Sarah for the first time. She didn’t even have a scope, but I couldn’t wait. I’d anticipated the moment for longer than I could remember, seeing images of her brothers and sisters in old war movies from my childhood. I carefully assembled the gun. I filled the magazine with each of the five dollar rounds I owned. Flipping up the iron sights, I looked down the barrel intently for the first time at a target. My hands trembled slightly, but I tried to hide it from my two friends who were equally eager. Slowly I exhaled and pulled the trigger…

The safety was still on. I flicked it up and took aim again. I focused on my breathing and tried to keep recoil out of my mind. Just as I’d always been taught I slowly squeezed the trigger.

Click. I forgot to chamber a round. I reached up and pulled back on the charging handle and then I pushed it forward again. Embarrassed, I only glanced at my friends, less able to cover my second mistake. Once more I lined up the shot, steadied my nerves, and tensed my finger. I fought my instinct to close my eyes and concentrated on the target.

Click. “Oh, come on!” Evidently the charging handle hadn’t gone all the way forward. The daylight was dying. I couldn’t forgive myself three times. I found the problem, fixed it, sat down, stopped caring about the target, pointed down range, checked the safety, shouldered the gun, and hurriedly pulled the trigger.

Tuesday, March 20, 2012

Weapon of Mass Destruction

Ever since it entered service in 1921, the .50 Browning Machine Gun (BMG) cartridge has changed warfare altogether. With unprecedented power and accuracy, it blasted its way through world records and still stands against the test of time. The bullet and the guns capable of firing it have become legendary and, like any legend, have experienced embellishment as word passed from person to person. Fear emerged. Suddenly the capabilities of the fifty caliber rifles transformed into a list of threats. Now vast numbers of preconceptions surround the mythic cartridge. However a very proud few fully understand and respect these instruments, knowing which notions are preconceptions and which are misconceptions.

John Browning developed the cartridge based on a scaled up .30-06 design for use in vehicle mounted machine guns. Sometime later, portable rifles were developed to fire it, placing the rounds not only in new aspects of battle, but also in the hands of any civilian who had the desire and the money. Public outcries screamed that these tools of war should only be used for and by our military. Conversely, the argument raged that to deny these guns to the public would be a violation of our second amendment rights. Regardless, the unique capacity of the fifty caliber has caused it to undergo attack in several states and banned in the state of California.

The .50 Caliber BMG Regulation Act of 2004 banned .50 BMG rifles, calling them a terrorist threat as well as a threat to the "health, safety, and security of all residents" of California. As of this year, no terrorist attacks involving a .50 BMG have been committed or even attempted. Actually it has never been used to harm or kill anyone in California; there is no record of a .50 BMG rifle ever being used in the United States to commit a crime. Hollywood blockbusters often display the opposite scenario, only aiding to cultivate an atmosphere of worry and doubt. In reality the number of crimes committed using a .50 BMG may have something to do with the cost of the actual firearm.

Cost is one aspect in which many Americans are delightfully ignorant. Having been told once from someone who knew a guy who was friends with another guy who delivered mail to this other guy… a lot people tend to believe the first figure they’re told. One can enter the world of the fifty for less than two thousand dollars, but if you want to conquer that world a single rifle can cost you over ten thousand dollars without a scope. Generally the population accepts and believes the truth when told. Where real confusion rears its head surrounds the price of ammunition. Perhaps criminals are warned first that a single round costs upwards of ten dollars on the low end. With all of the ridiculous figures being thrown around, gun owners wind up paying closer to two dollars and fifty cents for military surplus ammo. Specialty bullets can cost quite a bit more.

Tuesday, March 6, 2012

Project Proposal

            I moved to Montana for the guns. It seemed as good a reason as any. Across the nation Montana has some of the loosest restrictions on firearms of any state. My collection is not yet complete, but I already own the pinnacle of weaponry (in my opinion). It’s the Barrett 82A1/M107, a semi-automatic, fifty caliber rifle. Hoorah!
            My project would be on both hunting and shooting with regard to the .50 BMG caliber. My secondary research would include how it has been utilized in war, the facts surrounding the capabilities of the cartridge, and the current restrictions and legislations for all of these weapons of mass destruction. Since buying my rifle, I’ve heard a great deal of misconceptions about it. From needing a permit to buy or own it, to being able to kill someone even if you miss them by a hair, I want to put a final word on many of these notions.

            I’m bound to find a few more things people think or assume about these guns. So I wanted to conduct some interviews. Since I’m heading down to California (the gun-control hornet’s nest of the US) for spring break, I might ask a few questions to people who’ve never seen a gun off of the big screen. Up here, I know there are a couple more fifty owners I’d like to talk to. I might also post up at the gun range in Livingston and offer other gun enthusiasts a couple shots for a couple thoughts.

            I wonder why so few recreational shooters own fifty caliber guns. Is it the cost, the restrictions on using it, or is it just too excessive? I wonder what capabilities it has or illegidly has that scares people and politicians the most?

Tuesday, February 14, 2012

Made for Each Other




She waited. For years, Trixy waited patiently never fully knowing for whom or what. From beneath an old, ragged tarp the days, weeks, and months passed by and none without reflection of her glory days. Almost two hundred thousand miles and thirty six years separated her from her prime, that fateful day she rolled off the lot as a brand new machine. Now, her faded red paint no longer glimmered youthfully and her dented frame showed the cost of her experience. A mighty eight-cylinder engine, once a testament to American engineering, served little function more than housing wildlife. Regardless of her faults and despite her age, time failed to make her forget what she was. More than roadworthy; she was road-deserving. She was a Cadillac.
Throughout her exile from the world of pavement and parking lots, Trixy’s stance never waivered. For as long as there was life left in her, she’d present herself with all of the regal elegance befitting her Eldorado title. As such, she refused to become just another used car. So it seemed fate’s cruel joke that she be sold as one for a mere fraction of her original sticker price. Trixy could forgive the price tag, but she greatly resented the lack of a test drive. Being bought unseen drained her of all but the last of her hope. Though she once dreamed a change of ownership would reintroduce her to the highway, her feelings way beneath a horrible truth. She’d been purchased to be parted out.
Having just returned from Wal-Mart, Coop took a moment to look around. He thought back over the last seven years and the four different states he’d called home. He’d seen a lot of things, but this… An RV park in Montana hardly felt like a fitting place for a Cadillac. He’d hoped that his legendary smooth ride would give his owner an appreciation for the finer things in life. Perhaps it had. Nate was a caring owner, but never a man of means.
Lately Nate always gave a half-smile when passersby complimented Coop. Every time he started to grin, his gaze drifted toward the excessive rust on the sides, the steadily spreading source of his lament. He felt helpless at the sight of it, but it wasn’t just the flaws that he could see. Coop tended to remind other people of another, simpler time. To Nate, Coop stood as a friend, as family and he wanted to repay the goodness given him.
From the time they’d first met, Nate made promises to fix up Coop, not empty promises, just overly optimistic ones. So it thrilled Nate to no end when another friend told him about a cheap, running Cadillac of the same year as Coop. He put a check in the mail and, as soon as he could, himself on a plane. He tried to imagine all of the parts he’d be able to swap out. Then he saw her. When he looked at Trixy, he saw the beauty. Tracing his hand along the subtle lines of Detroit steel, there were no parts, only the whole. Ignorance or blindness shielded him from the defective wiring or the heavily worn leather seats. He saw her as she was so long ago and moreover as what she could yet be.
Nate jumped behind the wheel to take her home. From the moment his duct-taped sneaker touched the gas pedal, in the instant his hand slid across the dusty dashboard, he found much more than her lost hope; there was love. By the time he’d reached Montana, she’d whispered her name to him over the worn asphalt of the freeway miles. Just before he reached his temporary homestead, he whispered back, “Trixy, there’s someone I’d like you to meet.”


Tuesday, February 7, 2012

The Times They Are a'Changing



Time is an expression of change. Change is the vehicle by which the world turns. Whether it can be seen or not, whether it is admitted or not, almost everything is in a constant state of change. Bruce Davidson set out to capture one of the most dynamic turning points of a shifting American society. Thirteen photographs are incapable of seizing all of the tensions and feelings that were rampant though the five year period in which they were taken. Of all the change to be had, Davidson chose to concern himself with the fluctuation of the racial divide. He knew that when those drastic times ended the world would be a very different place.

The arrangement of images isn’t presented instead in chronological order. Instead it’s given to interpretation as a story of varying recognition, organization, force, tolerance, and acceptance. The pattern lends itself to more skilled narrators, but more important than the sequence is the theme. Davidson is displaying the distancing and distain of an entire race. It’s more obvious in the pictures that show unfair or cruel treatment. Still in others, displaying the large gatherings of black people fighting for rights, any reasonable person could be left to question why that might be necessary.

One of the most important aspects of this series is the perspective from which the photos were taken. It is as the title says, on the street. Most of these images by themselves do not represent a single event of historical importance. These are the sights of real, everyday life. These are the uninterrupted views of the common man. Among these are photographs of marches and a demonstration at the Lincoln Memorial. Why? Those were not easily avoided events. To make this sampling of the times accurate, Davidson included the immense occurrences that filled the streets which were otherwise occupied by turmoil.

In a somber list of things that happened, Davidson seems to maintain his indifference as much as a person can standing on the other side of the timeline. He saved one of his most thought-provoking photographs for last. It’s a young black girl sitting peacefully on a porch with a white doll. It’s also presented as having been taken early during Davidson’s “Time of Change.” Is it to be understood to be a catalyst? How does it represent change? Is it intended to show the inhumanity of the times to come?

Regardless of his exact intention, it’s clear that Davidson had the foresight to know that there was a change on the horizon. He could see a change from the streets that would impact every aspect of an entire country and now we can see a little of it too.

Thursday, January 26, 2012

Just Another Flag

     
       The iconic World War Two image brings several ideas to mind. Firstly, the content of the image is a classic scene of victory. The act of soldiers planting the American flag on foreign soil is a tale of triumph that the photographer set out to capture. The stars and stripes waving freely in the wind stirs the patriot in all of us.
            The angle of this photo is crucial. It gives the location as a high place by showing the hills lower in the distance. Even more importantly it takes the other elements out of the picture. By filling a majority of the scene with a clouded, smoky sky, it brings the focus downward and makes the centered flag ‘pop.’ Yet the angle still allows the bottom of the photograph to display both rugged terrain and wreckage to insinuate the previous uphill battle. It also gives the photo a floor as a point of reference.
            Given the age of the photograph, there wasn’t much option to take a color photograph. The photographer also used a vantage point that put the men in front of a primarily light colored background, again forcing them to stand out. The immensity of the differences in shades makes them almost silhouette-like at first glance. Their faces are not shown as if their individual identities didn’t matter. They were soldiers.
            The picture can only be assumed to have been taken in the act of raising the flag based on the man to the far left. His hands are outstretched toward the flagpole, but not touching. Rather than assume his aid came through telekinesis, it’s easier to imagine that he lifted it as far as he could and had only just let go. He also serves to complete the rough geometric shape that the soldiers’ bodies form. They make a triangle, which in so many subliminal ways makes an arrow. It points upward, bringing the focus back to Old Glory.
            The man to the furthest right brings attention to himself because of the variance in his stance and being physically apart from the others. Were it not for the gap between him and the other men, the shot would seem all too one-sided. His oddness brings an evenness from left to right.
            In my mind the greatest dynamic of this photograph is its content, but soldiers and flags have been photographed for as long as we’ve had the capabilities. So I have to believe that through some use of technique this one stands out amongst all the others for a good reason.

Wednesday, January 18, 2012

Dorothea Lange Photo


Admittedly I have no idea what makes a great photograph. I understand how lighting can be good or bad. I recognize a photographer’s intent in what they include in a picture and that there is reason in every angle taken, but for the life of me, I can’t separate art from the images a four year takes while trying to burn up the last couple of shots from a disposable camera. The realist inside of me is adamant that not every still shot has deeper meaning. Yet if there is anything inside of me that resembles an artist, he can see more in this photograph. The first thing I see is pride.

The plantation owner stands in front of his field hands by no mere accident. It is an elevating position in that it brings the most immediate attention and makes him appear larger. His foot is equally deliberate in its placement on the rear of a car. From their first introduction into society, fine automobiles have proven potent status symbols. While not much of the car can be seen, in 1936 having one at all meant something. His foot isn’t alone in determining his body language. His hands are not humbly tucked into his pockets or holding themselves defensively. His body language serves to imply ownership of the car, the men behind him, and his status.

The field hands aren’t shown in an entirely similar manner. One is standing. They have different styles of hats. They have different colors of clothing. The differences speak in a small way to the individuals being individuals. On the other hand, the similarities cannot go unnoticed. They’re not shown working in the field, but lounging in a moment of rest. From their positioning, they all seem to share the same feeling towards where they are. They look more obligated than overjoyed. One of the most obvious facts of the photograph is that the field hands are all black.

The blatancy of their skin color is largely made by the complete opposition to the plantation owner’s skin color, but also comes from the background. To me the background raises more questions than it answers. It looks to me to be a store. I can imagine how the plantation owner would bring his field hands in with him to pick up supplies and stop outside for a quick conversation and photo. What I wonder is why the photographer would have chosen the building as the entirety of the background. I can’t help but to wonder if it’s because the building does inspire me to create that scenario and, if that is the case, if that is what makes a photograph a work of art.

Thursday, January 12, 2012

Why I Write

I write because I can't sing. I write because I can't trip over the letters of the written word while trying to articulate a point. Moreover I write because I have a story tell. There is no other method of storytelling which can hope to delve into the imagination with as much or as little detail as the originator desired to convey. The written word remains unchanged as it passes from person to person, maintaining its message, humor, or meaning through time. A movie could never hope to describe feelings or thoughts as deeply. I write so as to hold my meaning, to let others interpret only what I leave up to interpretation, and to entertain. After all, who doesn’t love a well-written piece?